The Occult: A History
by Colin Wilson
Wilson is a
prolific writer best known now for his recent book, co-authored with Rand
Flem-Ath, called The Atlantis Blueprint. But I saw one of his many previous
books at a bargain rate from Barnes & Noble and bought it. I'm glad I did
because The Occult: A History is full of fascinating ideas. Originally published
in 1971, this edition was republished (in hard cover, with a nice jacket, but
cheap paper inside) by B&N. The ideas and information in it are as timely
and interesting today as when it was written.
Unlike other writers who merely
catalog and detail occult phenomena, Wilson attempts to formulate a theory that
explains how such phenomena are possible. He covers precognition, hypnosis and
mind connections, shamanism and special powers displayed by primitive cultures,
the practice of magic and witchcraft, spiritualism, coincidences (today called
synchronicities), healings, and tales of werewolves. But his heaviest emphasis
is on the mystical experience, the heights humans sometimes reach in moments of
unusual clarity and insight. These are the moments that make life more than a
collection of ordinary actions, that take us out of our everyday boredom and
give us a glimpse of the larger picture of which we are a part.
Wilson is an
extremely well-read and erudite person, who constantly references great
literature and gives examples involving well-known poets and writers. For
instance, he makes much of the poet Robert Graves' White Goddess, the archetypal
female who is associated with the moon and with feminine, intuitive knowledge.
Wilson draws on literature and recurring themes and ideas to probe the source of
the power that lets minds connect, lets people see the past and the future and
even defy scientific laws, as when mediums levitate or cause objects to move
about.
According to Wilson, the power behind unexplained phenomena is what he
calls "Faculty X." He describes it as "the power to grasp reality" and he
postulates that it unites the conscious and the subconscious parts of our minds.
The unusual powers some people possess are not unique to them, but are part of
human capabilities. They are more manifest in primitive cultures that use the
imagination along with their intuitive sense to invoke Faculty X. He gives an
example from the Gilbert Islands. Here, one man is a "porpoise-caller," mentally
contacting and summoning a school of porpoises. The porpoise-caller goes into
his hut and goes to sleep and connects with the porpoises in a dream, then he
comes out of the hut in a trance and announces that the porpoises are coming.
The villagers rush to the ocean and wade into the water, soon meeting the
porpoises, who all seem to be in a trance. The villagers help the porpoises onto
the beach, but the ending to this story is sad. The villagers club the poor
porpoises to death and eat them. Does the porpoise-caller have to be in a trance
so he won't feel guilty about this betrayal? Of course the bigger question is
how does he contact them?
Wilson refers to many phenomenon as magic, which for
him means using Faculty X. He provides a nice round-up of history's best
magicians, including Paracelsus, Nostradamus, John Dee, St. Germain, Cagliostro,
Casanova, Rasputin, Levi Eliphas, and of course, Aleister Crowley ("the beast
himself"), about whom he has much to say. Crowley is associated with the Golden
Dawn society in England and it is widely thought his powers were from the devil.
Wilson does not seem to think so, attributing them to the same source. Wilson
steers clear of endorsing any strictly religious point of view. To him, the
power is morally neutral, simply part of mankind's heritage.
However, he doesn't
mind taking a few pot shots at Christianity, noting that the rise of the
Christian religion drove the feminine principle of the White Goddess
underground, or in the case of the witch-burning frenzies of the Middle Ages,
into the subconscious. He makes the following startling statements about
Christianity:
"Christianty was an epidemic rather than a religion. It appealed
to fear, hysteria, and ignorance. It spread across the Western world, not
because it was true, but because human beings are gullible and superstitious."
I was glad to see him discuss at length the theories of Gurdjieff, who postulated
that most people go through life "asleep." It is this sleeping state, in which
people get lost in the ordinariness of their lives, which keeps us from
enlightenment. We must "wake up" by engaging our minds in what he called "the
work." I do not claim to understand Gurdjieff; a few years ago I picked my way
through In Search of the Miraculous by P.D. Ouspensky, a close disciple of
Gurdjieff, and I found the book very tough going, but full of totally new ideas,
at least new to me. Wilson sees merit in Gurdjieff's premises and accepts that
this man who lived through the Russian Revolution had at various times, unusual
powers. This derived from the insight he had that "any unusual effort, any new
beginning has this effect of shaking the mind awake." The "work" that Gurdjieff
urged on his followers was aimed at retaining that effect.
Wilson gives a
complete history of the Catholic Church's efforts to stamp out witchcraft. While
detailing the disgusting cruelty of their methods, he also takes the position
that some of these people were actually witches, that they did practice rituals
in the forest. He sees this as mainly a manifestation of repressed sexuality. He
brings up sex quite a bit in this book, maintaining that one route to the peak
experience and enlightenment is through sex, a belief also shared by Gurdjieff
and Eastern mysticism.
He includes a history of spiritualism -- contact between
the living and the deceased. He is particularly impressed with the phenomena
produced by David Dunglass Home, an English medium who could levitate himself
and objects, tip tables without objects on the table falling off, and make
objects fly around the room and other odd manifestations. Like others who have
observed spirit phenomena, Wilson notes that when spirits are contacted, they
seldom have anything interesting to say. Too bad he was not aware of the
Spiritists (followers of Alan Kardec) who have sometimes made contact with
higher level spirits who DO reveal more credible information about their
reality. In the Brazilian Spiritist tradition, it is assumed that most spirits
who contact the living through ouija boards or automatic writing are cranks who
could not find their way to higher levels. Many are tricksters and their
messages are false or meaningless. Wilson does not let the poor quality of
messages deter him from a serious examination of how such communication is
accomplished.
Wilson tackles the obvious question of whether these spirits are
actual external entities or manifestations of the medium. He sees evidence for
both positions, but feels there are cases that can only indicate a separate
entity. So his final position seems to be that ghosts really are dead people who
hang around earth instead of moving on. He touches on reincarnation, but takes
no strong position on it.
While I appreciate that Wilson takes on the big
questions rather than covering his topic superficially with examples and no
explanation of how such phenomena could exist, I think his Faculty X is a bit
like the "theories of everything" that scientists put forth to explain the
universe. I enjoyed the book, but ended it still in a quandary as to how to
describe Faculty X. Sometimes it seems to require an expansion of consciousness,
but other times it seems to require narrowing one's focus -- or is it both? What
of the role of imagination, or belief? If I imagine I can float to the ceiling,
will I be able to do it like David Dunglas Home did? (Or, like Mirabelli,
another magician discussed in Guy Lyon Playfair's book, The Unknown Power?)
Perhaps it is a concentration on either the inner world of ideas and imagination
to the exclusion of the outside, or a concentration on the outer world to the
exclusion of the inner voice that babbles away as we go about our daily
business. Moments of high clarity come when one is meditating (the inner) or is
thrilled with the beauty of a sunset, a flower, or new buds on a tree (the
outer). Art and music can also stimulate such moments which, to Wilson, are
little glimpses of Faculty X.
Wilson accepts paranormal powers as genuine, but
maintains that they are also ordinary in the sense that anyone could do these
things. In his native Wales, there are people known as "wart charmers." If you
have warts, you call a charmer who says an incantation and cures your warts.
Wilson says this always works. Perhaps if I lived somewhere where I could call a
wart charmer (instead of an expensive Dermatologist), I would understand Faculty
X better. But I'm afraid I got to the end of this entertaining book and feel I'm
still left with a just a new label for unexplained phenomena. I'm sure Wilson
has moved beyond the ideas he had in 1971, and he is a superb writer and
first-class thinker. I'm going to be looking at used book sales for more Colin
Wilson.
The Occult: A History is available from Barnes & Noble, but not from Amazon.com.
Used versions are probably available at various online book sellers.